As a long way as songs best songs of 2019 are concerned, 2019 has not been Bollywood's pleasant imparting. In reality, in maximum of the instances, songs which have crossed hundreds of thousands of views, were remixes of antique tunes or remodeled variations of songs from indie/Punjabi albums.
however, regardless of a deluge of remixed tunes, there were a few original tracks that controlled to affect the target audience with their composition, lyrics, and of course, soulful making a song. Songs like these
Ghungroo, War
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It’s Shilpa Rao once more, this time with Arijit Singh. without problems the track of the year, Ghungroo is a breezy, feathery-mild dance music that has a tune not without delay associated with funk. Vishal-Shekhar provides a modern-day, fashionable spin to the oft-heard phrases “Ghungroo toot gaye”. Warren Mendonsa’s guitar licks upload verve, at the same time as longtime Vishal-Shekhar collaborator Kumaar stays faraway from Hinglish phrases, an traumatic staple of modern-day Bollywood dance songs, giving the tune the timelessness it deserves.
Tum Hi Aana, Marjaavaan
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The way Tum hi Aana starts, you wouldn’t be blamed for thinking if Nadeem-Shravan are again. but, no, it’s singer-composer Payal Dev. The tune is fabulous, almost ghazal-like. The lyrics are pathos-stuffed, and the harmonica-sarangi-guitars combination is aptly melodramatic for the music. Jubin Nautiyal has usually been a incredible singer, but this is probably the one that has ultimately given him star fame. it's miles certainly the quality composition Nautiyal has sung till date.
Bekhayali (Sachet Tandon version), Kabir Singh
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almost all the songs in Kabir Singh are among excellent and true. nearly they all are also electric powered guitar-pushed angsty ballads that sound much like each other. The album’s first music, the melodramatic and operatic six-minute Bekhayali, units the tone for the relaxation of the album and is its crown jewel. Singer-composer Sachet Tandon’s voice is a higher healthy for the composition than Arijit Singh. Irshad Kamil’s lyrics, which describe the pangs of separation, are easy and easy to sing alongside to however never simplistic.
Jugraafiya, Super 30
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in which are the romantic tunes that aren’t Hinjabi velocity statistics rip-offs or whiny Tum hi Ho copies from the T-collection strong? here is one. The strings and synths in Jugraafiya take you to the form of high that’s predicted from a Ajay-Atul ballad. The lyrics by means of Amitabh Bhattacharya tie the sincere protagonist’s character to the music. Udit Narayan hasn’t sounded this fresh in years, and Shreya Ghoshal owns the composition like a queen.
Slow Motion, Bharat
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it is difficult to get a Salman Khan music that works as a Salman Khan tune but doesn’t batter your sensibilities. the main guitar riff in sluggish motion is a winner. The music has a tremendous hook. Irshad Kamil’s lyrics (“Pyaar hota hai to aata hai maza apne hello shoshan mein”) are outstanding a laugh. Nakash Aziz’s powerful voice is apt for the music. The marvel detail is Shreya Ghoshal, no longer the primary name you’d accomplice with a song like this, and he or she beautifully enhances Aziz.
Fakira, Student of the Year 2
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always anticipate at least one exceptional music from a Vishal-Shekhar soundtrack. among the bubblegum Hinjabi pop of pupil of the 12 months 2, is Fakira, a amazing-candy but spunky love music rendered amazingly nicely by means of Neeti Mohan and pop sensation Sanam Puri. Lyricist Anvita Dutt Guptan’s comparison of someone lost in like to a fakir is thrilling. The production is sharp and difficult, the wall of strings elegant, and the dholaks in no way evident.
Ve Maahi, Kesari
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Arijit Singh returns in a (gasp) unique Tanishk Bagchi tune. At this factor, Bagchi deserves the brickbats he gets for retooling traditional Hindi tunes, but he seldom fails along with his unique compositions. The mukhda is a complete earworm, and Singh nails it. At a time when Punjabi romantic ballads are all too commonplace in Bollywood, this song leaves a mark because of its tune and the vocals through Singh and Asees Kaur.
Kalank title track
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The Kalank title music is Pritam operating at his first-rate, the handiest time he did in 2019. The tune takes off with an A1 guitar riff, and then Arijit Singh’s trademark voice deftly incorporates the beautiful music. just about every detail is magical, consisting of the instant the tabla enters or the synths that observe at once after. The “most important tera” phase that ends the track is the cherry on top. this is also lyricist Amitabh Bhattacharya’s greatest moment this 12 months.
Shaabaashiyan, Mission Mangal
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The gifted Shilpa Rao isn’t heard an awful lot nowadays, however she is a picky singer, as she advised Scroll.in in an interview. She does pick the first-rate songs to sing. In undertaking Mangal, she is the famous person voice of Shaabaashiyan, with Anand Bhaskar and Abhijeet Srivastava supplying guide. Like Jake Rakho Saiyan, the tune is an inspirational one. It’s a slow-moving tune with a brilliant song for its establishing verse and hook. The synths, specially, are cute.
Jagga Jiteya, Uri: The Surgical Strike
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Minimalism isn't usually understood with the aid of most Bollywood composers – pick out any hit dance track this yr. Shashwat Sachdev’s commitment to minimalism is, consequently, fresh. do not forget his songs Aa Jao Na (Veere Di wedding ceremony) or Jagga Jiteya in Uri: The Surgical Strike. The latter capabilities an exemplary adaptation of the country wide anthem’s song on the bugle, a booming bassline, and a simple digital beat. Dee MC’s rap and Daler Mehndi’s soaring vocals do the rest.
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